Overview

These updated Camera v2 beta profiles for the Nikon D3 and Nikon D700
are designed to reduce banding and highlight color artifacts. Note
that highlight areas may appear a little brighter compared to the
earlier profiles.

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Installation

If you are on Mac OS X, drag the “Camera v2 beta” folder to:

/Library/Application Support/Adobe/CameraRaw/CameraProfiles

If you are on Windows XP, drag the “Camera v2 beta” folder to:

C:\Documents and Settings\All Users\Application Data\Adobe\CameraRaw\CameraProfiles

If you are on Windows Vista or Windows 7, drag the “Camera v2 beta”
folder to:

C:\ProgramData\Adobe\CameraRaw\CameraProfiles

Note that the above path on Windows Vista and Windows 7 may be hidden
by default. Check your folder settings.

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Feedback

The profiles are currently in beta status. Please provide feedback via
the online Adobe user-to-user forums here:

http://forums.adobe.com/community/cameraraw
http://forums.adobe.com/community/lightroom

These profiles are being well received by Nikon users, especially those concerned with ‘Hue twists’.

Download is available from the announcement post.

These releases provide support for the following cameras:

Nikon D300s
Nikon D3000
Olympus E-P1
Panasonic DMC-FZ35
Panasonic DMC-GF1
There are some issues to note regarding the Panasonic DMC-FZ35, please check Lightroom Journal for the details.

Camera Raw 5.5 and Lightroom 2.5 include a correction to the demosaic algorithms for Bayer sensor cameras with unequal green response. Olympus, Panasonic and Sony are among the more popular camera manufacturers affected by this change. But the demosaic correction provides only a subtle visual improvement to the processing of those raw files.

Lightroom 2.5 corrects for the following problem in Lightroom 2.4. Lightroom 2.4 on Windows continued to display the import dialog when a memory card was detected regardless of the preference setting “Show import dialog when a memory card is detected.”

Lightroom 2.5 is available at: Macintosh | Windows

Adobe Camera Raw 5.5 is available at: Macintosh | Windows

The humble Blacks slider plays an important role in allowing you to optimize the contrast of your photos as you process them in the Develop module. This movie clip is all about how much to safely clip the blacks when working with different types of images as well as how the black clipping point you set in Lightroom relates to the black clipping point of the print output process. The answer to the question ‘how black should I make my blacks’ may be easier than you think.

Note that in the final section where I compare different output profile conversions, the Black Point Compensation box must be kept checked (which is the default setting). You would also want to make sure this box is checked when making a print via the Photoshop Print dialog. And in the case of Lightroom printing, this is always enabled anyway.

Please note this video is in Quicktime format. A player can be downloaded from apple.com.

Camera Raw 5.2 and DNG Converter Available “

The Camera Raw 5.2 and DNG Converter 5.2 are now available on Adobe.com.(For Photoshop CS4 customers I recommend choosing the ‘Updates…’ option from the Help menu) This release includes additional features and new camera support. Lightroom will be updated to version 2.2 in December to provide the equivalent camera support.

• Targeted Adjustment Tool for on image adjustments
• Output sharpening for print or screen output
• Snapshots for saving all settings in a single reference
• Camera Profiles for enhanced raw file interpretation now available in the Calibration panel

Newly supported camera models:

• Canon EOS 5D Mark II
• Canon PowerShot G10
• Panasonic DMC-G1**
• Panasonic DMC-FX150**
• Panasonic DMC-FZ28**
• Panasonic DMC-LX3**
• Leica D-LUX 4**

**With the release of Camera Raw 5.2 (and upcoming Lightroom 2.2 release) there is an important exception in our DNG file handling for the Panasonic DMC LX3, Panasonic DMC FX150, Panasonic DMC FZ28, Panasonic DMC-G1 and Leica D-LUX 4. In this release the native, proprietary files from these cameras can only be converted to linear DNG files. A linear DNG file has gone through a demosaic process that converts a single mosaic layer of red, green and blue channel information into three distinct layers , one for each channel. The resulting linear DNG file is approximately three times the size of a mosaic DNG file or the original proprietary file format.

This exception is a temporary solution to ensure that Panasonic and Leica’s intended image rendering from their proprietary raw file format is applied to an image when converted DNG files are viewed in third party software titles. The same image rendering process is applied automatically in Camera Raw 5.2 and in Lightroon 2.2 when viewing the original proprietary raw file format.

In a future release Adobe plans to update the DNG specification to include an option to embed metadata-based representations of the lens compensations in the DNG file, allowing a mosaic DNG conversion. In the interim Adobe recommends only converting these files to DNG to allow compatibility with third party raw converters, previous versions of the Camera Raw plug-in or previous versions of Lightroom.

”

(Via Lightroom Journal.)

Lightroom users, please note, you do not need to download Camera Raw to update Lightroom. Camera Raw is a Photoshop/Elements plugin.

As well as additional profiles for the new cameras, DNG profiles and the DNG profile editor have been updated to beta 2. More details can be had from http://labs.adobe.com/wiki/index.php/DNG_Profiles.

You can read more from Product Manager Tom Hogarty over at Lightroom Journal, where he made the announcement.

From the DNG Profiles page:

Overview
We have been actively working on improving color rendering for digital raw photographs. Our new color rendering package contains the following components:

• the DNG 1.2 specification, which expands and formalizes the concept of a color profile for raw (i.e., scene-referred) image data captured by digital sensors,
• Adobe Standard camera profiles that significantly improve color rendering, especially in reds, yellows, and oranges,
• Camera Matching profiles that match the camera manufacturers’ color appearance,
• DNG Profile Editor, a free software utility for editing camera profiles

Public Beta
The new camera profiles and DNG Profile Editor are being initially distributed online in public beta form. This public beta gives photographers the opportunity to try these new tools and provide feedback before we finalize them.

Requirements
The new Adobe Standard and Camera Matching camera profiles require Camera Raw 4.5 / Lightroom 2.0 or later. In general, they can be used in any raw converter that supports DNG 1.2.

These camera profiles will NOT work correctly with earlier versions of Camera Raw (i.e., 4.4.1 and earlier) and Lightroom (i.e., 1.4.1 and earlier). These earlier versions do not support DNG 1.2.

The DNG Profile Editor’s basic system requirements (i.e., CPU, operating system, and memory) are the same as Lightroom’s requirements.

Resources
Since the profiles and DNG Profile Editor are still in public beta, there is no official Adobe support for them. However, we have put together an online FAQ, tutorials, and documentation to help you get started with both the profiles and DNG Profile Editor. You are also encouraged to post questions in the User-To-User forums (see links below).

Frequently Asked Questions (FAQ)
DNG Profile Editor Tutorials and Documentation
Adobe DNG Home Page (includes latest DNG specification and SDK)
Camera Raw User-To-User Forums
Lightroom User-To-User Forums
DNG User-To-User Forums

In addition to new camera support (now at over 180 cameras), Camera Raw 4.5 and DNG Converter 4.5 also adds support for rendering the newly released Lightroom 2.0 functionality.

The direct download pages are here; Macintosh, Windows

From the Camera Raw 4.5 Read Me:

Working with Lightroom 2 and Adobe Photoshop Camera Raw
Lightroom and Photoshop Camera Raw share the same image processing technology to ensureconsistent and compatible results across applications that support raw processing. These applications include Photoshop CS3, Photoshop Elements 6.0 and Premiere Elements 4.0. Photoshop Camera Raw 4.5

Adobe applications must be updated with the Camera Raw 4.5 plug-in in order to ensure compatibility with Lightroom 2 develop module settings. Photoshop CS3 users can update the Camera Raw plug-in automatically using the Update tool listed under the Help menu. The Camera Raw 4.5 plug-in can also be downloaded and installed manually by visiting the Adobe web site: www.adobe.com/products/photoshop/cameraraw.html. Please follow the installation instructions carefully.

Sharing Lightroom Settings with Camera Raw 4.5
By default, Lightroom’s develop module settings are stored in Lightroom’s database. In order to ensure that Lightroom develop settings can be viewed by Camera Raw 4.5 the settings must be written to the XMP metadata block for that file. This metadata is stored in an XMP sidecar file (Imagename.xmp) in the current image directory of proprietary raw files or stored directly within DNG files. To update images with the latest develop settings, choose the library module and select the group of target images. Choose the “Export XMP Metadata to File”

option in the Metadata:XMP file menu. Note: This menu option is only available in the Lightroom Library.

Viewing Lightroom settings in Camera Raw 4.5
Before working in conjunction with Lightroom and Camera Raw please set the Camera Raw preference to: Save image settings in: Sidecar “.xmp” files. By default Camera Raw will display the image adjustments exactly as performed in Lightroom’s develop module. However, at this time Camera Raw 4.5 is unable to support further adjustments to the following settings or tools:
• Clone/Heal Opacity
• Post Crop Vignette
• Graduated Filter Adjustment
• Local Adjustment Brush
The controls currently available in Camera Raw 4.5 will continue to function normally and provide incremental edits beyond those performed in Lightroom. The Lightroom adjustments that are not available in Camera Raw 4.5 can be cleared by choosing the “Clear Imported Settings”

option in the Camera Raw settings menu.

Viewing Camera Raw settings in Lightroom
Raw files edited by previous versions of Camera Raw files will maintain their previous appearance when imported into Lightroom. Note: Those files must have been edited with the preference set to Save image settings in: Sidecar “.xmp” files in order for Lightroom to respect the previous edit. Files edited in Camera Raw after importation into Lightroom can be updated in Lightroom by choosing the “Read Metadata from File”

from the Metadata file menu. Note: This menu option is only available in the Lightroom Library.

This new version of the Camera Raw plug-in replaces the original Camera Raw plug-in that was installed with Photoshop CS3, Photoshop Elements 6.0 and Premiere Elements 4.0. The Camera Raw 4.5 plug-in is not compatible with versions of Photoshop earlier than Photoshop CS3 or versions of Photoshop Elements earlier than Photoshop Elements 5.0 for Windows and Photoshop Elements 4.01 for Mac.

The latest version of the Camera Raw plug-in available for Photoshop Elements 3.0 customers is Camera Raw 3.6. The latest version of the Camera Raw plug-in available for Photoshop Elements 4.0 (Windows) is Camera Raw 3.7.

Photoshop CS3 and Adobe Creative Suite 3:
Automated installation on Mac or Windows®:
1. Select “Updates…”

from the Help menu

2. Follow the on-screen dialogs to download and install the latest available Camera Raw update

Manual installation on Mac or Windows®:
Windows®:
1. Exit Photoshop CS3 and Adobe Bridge.
2. Open My Computer.
3. Double-click Local Disk (C:).
4. Navigate to Program Files\Common Files\Adobe\Plug-Ins\CS3\File Formats.
5. Move the existing Camera Raw.8bi plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.
6. Copy the Camera Raw plug-in, Camera Raw.8bi, from the download into the same folder as Step 4.
7. Launch Photoshop CS3 or Adobe Bridge.

Mac:
1. Exit Photoshop CS3 and Adobe Bridge.
2. Open the Finder.
3. Navigate to the root of the local disk (not the user’

s home folder).
4. Navigate to Library/Application Support/Adobe/Plug-Ins/CS3/File Formats.
5. Move the existing plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.
6. Copy the Camera Raw plug-in, Camera Raw, from the download into the same folder as in Step 4.
7. Launch Photoshop CS3 or Adobe Bridge.

Photoshop Elements:
Windows®:
1. Exit Photoshop Elements.
2. Open My Computer.
3. Double-click Local Disk (C:).
4. Navigate to Program Files\Adobe\Photoshop Elements 6.0\Plug-Ins\File Formats
5. Move the existing Camera Raw.8bi plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.
6. Copy the Camera Raw plug-in, Camera Raw.8bi, from the download into the same folder as Step 4.
7. Launch Photoshop Elements

Mac:
Photoshop Elements
1. Exit Photoshop Elements and Adobe Bridge.
2. Open the Finder.
3. Navigate to the root of the local disk (not the user’

s home folder).
4. Navigate to location designated by your version of Photoshop Elements:
a. Photoshop Elements 4.01: Library/Application Support/Adobe/Plug-Ins/CS2/File Formats
b. Photoshop Elements 6: Library/Application Support/Adobe/Plug-Ins/CS3/File Formats
5. Move the existing plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.
6. Copy the Camera Raw plug-in, Camera Raw, from the download into the same folder as in Step 4.
7. Launch Photoshop Elements or Adobe Bridge.

Premiere Elements:
Windows®:
1. Exit Premiere Elements.
2. Open My Computer.
3. Double-click Local Disk (C:).
4. Navigate to location designated by your version of Premiere Elements:
a. Premiere Elements 3.0: Program Files\Adobe\Adobe Premiere Elements 3.0\Plug-Ins\ Common\PSA
b. Premiere Elements 4.0: Program Files\Adobe\Adobe Premiere Elements 4.0\Plug-Ins\ Common\PSA
5. Move the existing Camera Raw.8bi plug-in to another location (for example, a new folder on your
desktop). Ensure you keep this version in case you need to revert back.
6. Copy the Camera Raw plug-in, Camera Raw.8bi, from the download into the folder designated in Step 4.
7. Launch Premiere Elements

Major Software Upgrade Further Simplifies Photography Workflows

Press Release: SAN JOSE, Calif. — July 29, 2008 — Adobe Systems Incorporated (Nasdaq:ADBE) today announced the immediate availability of Adobe® Photoshop® Lightroom® 2 software, the photographer’s essential toolbox for managing, adjusting and presenting large volumes of digital photographs. With new enhancements such as dual-monitor support, radical advances in non-destructive localized image correction, and streamlined search capabilities, Lightroom 2 is a compelling upgrade that simplifies photography from shoot to finish. As Adobe’

s first application to support 64-bit for Mac OS X 10.5 Macintosh computers with Intel® processors and Microsoft® Windows® Vista® 64bit operating systems, Lightroom 2 also provides improved memory performance for dealing with large scale images.

“A worldwide community of photographers provided valuable insight and feedback, as part of the Lightroom 2 public beta program, ultimately helping us deliver a better product,” said Tom Hogarty, senior product manager for Lightroom and Camera Raw at Adobe. “We’

ve considered their requests which helped us develop useful features that make it easier than ever for our customers to quickly refine, enhance and present brilliant photographs.

Photoshop Lightroom 2: Smarter, Faster and More Accurate
The enhanced Library module in Lightroom 2 helps streamline and accelerate photographers’

workflows. With the ability to visually organize images across multiple hard drives, Lightroom 2 and its powerful Library Filter Bar makes it easy for users to quickly find the images they need. The Suggested Keywords feature helps photographers keyword their images by making intelligent suggestions based on their own previous efforts. New dual-monitor support allows users to expand their workspace, giving them flexibility to edit and organize images in a way that maximizes an additional display.

In the Develop module, the new Local Adjustment Brush lets photographers fine-tune specific areas of an image to precisely adjust color, exposure and tonal range without affecting other areas of the image. The new Graduated Filter expands the toolbox in Lightroom, allowing for edits to larger areas by applying gradually diminishing or increasing adjustment effects such as exposure, clarity, and saturation, alone, or in any combination. Lightroom 2 also helps photographers print more efficiently by quickly arranging photos of multiple sizes on one or many pages with flexible and customizable templates to maximize paper and ink. Intelligent algorithms automatically determine optimal sharpening for screen or print, producing crisper images faster.

Developers can further extend the Lightroom workflow with Web, Export and Metadata Software Development Kits available at the Adobe Developer Connection, http://www.adobe.com/devnet/.

Ground-Breaking Innovation in Raw Technology
New raw technology gives photographers access to flexible camera profiles. Camera profiles are the visual starting point for the raw processing workflow, but image preferences vary for every photographer. To minimize surprises, Adobe is supplying default camera profiles that closely emulate the visual looks that photographers are used to seeing from their favorite camera, while also providing the ability to create highly customized profiles to suit different tastes. Camera profiles are available for immediate download on Adobe Labs (http://labs.adobe.com) for use with Lightroom 2 and Camera Raw 4.5, along with the DNG Profile Editor for the community to test and create their own profiles.

The Adobe Camera Raw 4.5 plug-in and DNG Converter 4.5 are also now available on Adobe.com and support over 190 camera models including the Olympus E 420 and E 520 models.

“One of the big reasons why Lightroom has become such a phenomenon among serious photographers is that Adobe built it with the input of a very vocal user community,” said Scott Kelby, president of the National Association of Photoshop Professionals (NAPP). “Adobe really listens to the issues and challenges today’s photographers face and they’ve built a complete solution that not only meets the needs of photographers; it really feels like it was made just for us. The enhancements to Lightroom 2, combined with the power of Photoshop, give photographers the ultimate freedom to produce professional images quickly.”

Pricing and Availability
Adobe Photoshop Lightroom 2 is available now through the Adobe Store at www.adobe.com/store in English, French and German with the Japanese language version planned to be released at a future date. The estimated street price is USD$299 for new users with an upgrade price of USD$99 for registered users of qualifying Lightroom customers. Recommended system requirements are Macintosh OSX 10.4, 10.5 1 GHz PowerPC G4 or G5 or Intel® based processor, or Microsoft Windows® XP SP2 or Windows Vista Home Premium, Business, Ultimate, or Enterprise, Intel Pentium 4® processor, 1 GB RAM and a 1024×768 resolution screen. Additional information on product features, upgrade policies, pricing, and language versions is available on www.adobe.com/products/photoshoplightroom/.

About Adobe Systems Incorporated
Adobe revolutionizes how the world engages with ideas and information –

anytime, anywhere and through any medium. For more information, visit www.adobe.com.

© 2008 Adobe Systems Incorporated. All rights reserved. Adobe, the Adobe logo, and Adobe Photoshop Lightroom 2 are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Mac, Mac OS and Macintosh are trademarks of Apple Computer, Inc., registered in the United States and other countries. Microsoft, Windows, and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United Sates and/or other countries. Pentium is a trademark or registered trademark of Intel Corporation, or its subsidiaries in the U.S. and other countries. All other trademarks are the property of their respective owners.