November 13, 2006
A DAM Useful Video

Peter Krogh, author of The DAM Book: Digital Asset Management for Photographers has added a new video companion for the book on his DAM Useful website.
November 13, 2006

Peter Krogh, author of The DAM Book: Digital Asset Management for Photographers has added a new video companion for the book on his DAM Useful website.
November 10, 2006

…with a few friends for the Epson Print Academy in Salt Lake City this Saturday, November 11th. (Boy, I hope they have a Starbucks there…)
November 8, 2006
Source: Macworld
Written by Rick LePage
As I’m typing this, I’m sitting outside the exhibition hall at the Javits Center in New York, watching a stream of photographers, graphic artists and a large group of art school students pass into the packed hall at Photo Plus East. I have always liked this show—the focus on imaging is right up my alley, and I like the mix of digital tools with the traditional stuff like lighting products and wedding portfolios.
November 8, 2006
The Universal Photographic Digital Imaging Guidlines (UPDIG) working group has announced the release of version 2.0 of their guidelines for the delivery of digital photographs.
November 6, 2006
Adobe has publically announced a prerelease of the Adobe Color Engine (ACE) as a stand alone library that can be used by non-Adobe applications.
ACE is built into Adobe products and therefore couldn’t be used by non-Adobe products. This project takes a chunk of ACE (the color conversion engine) and packages it for use by applications that support external color management modules using ColorSync on the Mac OS and ICM2/WCS on Windows.
October 16, 2006
A French IT consultant says yes, but productivity experts disagree
Source: ComputerWorld
Written by Todd Weiss
Providing employees with 30-in. computer monitors can boost worker productivity at companies where 17- or 19-in. monitors are typically used, according to a French consultant hired for a study sponsored by Apple Computer Inc.
The study, which evaluated Apple’s 30-in. Apple Cinema Display, concluded that large screens can offer gains of up to 50% to 65% in productivity on a variety of specific office tasks and can earn back their extra costs in time savings over several years. The 30-in. display costs $1,999.
October 10, 2006
iView Multimedia has released a free update to its flagship digital asset management program iView MediaPro. The first comprehensive update since iView’s acquisition by Microsoft this summer, iView MediaPro 3.1.2 delivers significantly more robust performance, including clearer error reporting and improved memory handling for both Mac and Windows customers, as well as a number of minor feature enhancements.
October 10, 2006
Press Release: AKRON, Ohio–(BUSINESS WIRE)–X-Rite, Incorporated (NASDAQ:XRIT – News) will offer a seminar this November through February 2007 designed to help creative directors, designers, photographers and production managers unleash the power of their color. “Color Without Limits” will be presented in 20 major US and Canadian cities with support from HP, Apple, Adobe, Quark, Popular Photography & Imaging Magazine, Wasatch and PaperSpecs.
October 2, 2006

Adobe has released Adobe Lightroom Beta 4 for Macintosh and Windows now available for download at: Labs.Adobe.com. Windows users can now access more of the module features that were previously unavailable in the PC version of public Beta 3. But the main changes in Beta 4 have all taken place in the Library and Develop modules. In this second part review we are going to concentrate on what’s new in the Library module, such as the new interface changes to the grid layout, the ability to batch rename images, and convert to DNG and CD/DVD archiving. Read the rest of this story for an in-depth look at the Beta 4 Develop module.
August 28, 2006
Arrays of thousands of tiny “super prisms” controlled by robotic muscles could bring real colour to TV screens for the first time, scientists say.
Source: BBC News
By Jonathan Fildes
The devices, known as electrically tunable diffraction gratings, have been built by researchers in Switzerland.
They manipulate light to reproduce the full spectrum of colours on screen, impossible using existing technology.